Field Notes section

Workshop Practice

Close studies of sequence, tools and small exercises that make hand skills legible.

Field Note 08Workshop Practice

Mapping a Basket Base Before You Weave

A field guide to planning stake count, spacing and material roles so a basket base can grow evenly.
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Field Note 09Workshop Practice

Loom Tension as a Working Rhythm

A field guide to learning to diagnose edges, spacing and beat through a narrow tapestry sampler.
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Field Note 10Workshop Practice

A Dye Notebook That Can Explain Results

A field guide to building records that separate material preparation, vat condition and finishing.
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Field Note 11Workshop Practice

A Handbuilding Test Series Worth Keeping

A field guide to using small clay studies to compare joins, wall thickness, texture and firing response.
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Field Note 12Workshop Practice

A Carved Spoon Begins on the Board

A field guide to laying out a useful wooden form around grain, strength and the intended grip.
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Field Note 13Workshop Practice

Build a Sewn Book Structure Model

A field guide to using a non-valuable paper model to understand folds, sections, sewing and opening.
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Field Note 14Workshop Practice

Reading the Visual Logic of Dry Stone

A field guide to understanding selection, placement, contact and landscape without offering structural instructions.
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Field Note 39Workshop Practice

Tool Marks as a Sequence

A field guide to reading repeated cuts, presses and strokes as evidence of process rather than decoration.
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Field Note 57Workshop Practice

Design a Weaving Sampler That Answers One Question

A useful sampler is designed to answer a question. Keep the setup small, change one factor and record the choices that shaped the cloth.
A small tapestry sampler with a taut warp and three distinct weft blocks on a wooden frame loom Read field guide
Field Note 58Workshop Practice

A Dye Test Is a Record, Not a Recipe

A color sample becomes useful when its process stays attached. Record materials and sequence, and avoid turning one result into a universal recipe.
Three indigo-dyed cotton swatches arranged beside a shallow dye vat and a field notebook Read field guide
Field Note 59Workshop Practice

Lay Out a Carving Blank Around the Grain

Before cutting a new blank, make the grain part of the drawing. Compare possible outlines and record why one form preserves more continuous fibres.
A pale wood carving blank with a spoon outline beside an unfinished spoon and wood shavings Read field guide
Field Note 60Workshop Practice

Make a Sewn-Book Model Before Choosing the Binding

A small pamphlet model lets you see how pages, sewing and cover work together before choosing a more complex binding structure.
A small sewn paper pamphlet opened to show its folded sections and visible thread along the spine Read field guide