Field Notes section

Material Intelligence

Learn to read fibre, clay, timber, metal, paper and lime before choosing a technique.

Field Note 01Material Intelligence

Reading Willow Before the First Weave

A field guide to how willow rods reveal growth, moisture and intended use before a basket begins.
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Field Note 02Material Intelligence

Reading Handmade Paper Under Raking Light

A field guide to using low-angle light to understand a sheet of handmade paper without invasive tests.
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Field Note 03Material Intelligence

Warp, Weft, and the Tapestry Surface

A field guide to recognizing why tapestry behaves differently from ordinary balanced cloth.
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Field Note 04Material Intelligence

What Clay Body and Glaze Fit Reveal

A field guide to reading a ceramic surface as an interaction between body, firing and glaze.
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Field Note 05Material Intelligence

Indigo Is a Process, Not Just a Colour

A field guide to understanding indigo through fibre preparation, resist work, repeated dipping and local knowledge.
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Field Note 06Material Intelligence

Read the Grain Before Carving

A field guide to seeing growth direction, figure and defects as constraints that guide a carved form.
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Field Note 07Material Intelligence

Why Lime Belongs to a Whole Wall

A field guide to understanding lime mortar and plaster as parts of a moisture-managing building assembly.
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Field Note 38Material Intelligence

Fibre Under Magnification

A field guide to using a simple loupe to compare plant fibres without pretending to identify species from one image.
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Field Note 53Material Intelligence

What a Fibre Blend Hides from a Surface Inspection

A label can identify a fibre claim; a close look can describe a surface. Keep those forms of evidence distinct when recording a textile.
Bundles of flax stalks and separated bast fibres arranged at different stages on a worktable Read field guide
Field Note 54Material Intelligence

Why Wood Moves Across the Grain

Wood does not move equally in every direction. Grain, construction and moisture history help explain why a change appears where it does.
Wood offcuts showing end grain and long grain on a workshop bench Read field guide
Field Note 55Material Intelligence

Reading a Ceramic Break Without Naming Its Cause

A break can reveal layers and construction. Describe those clues carefully, then leave cause open until the evidence supports it.
Contemporary earthenware test tile and shard showing a glazed surface and coarse inclusions in the clay body Read field guide
Field Note 56Material Intelligence

Patina or Active Corrosion? Reading Change Over Time

Color alone cannot tell whether corrosion is stable. Look for physical change over time and keep surface reading separate from treatment decisions.
An old iron hand plane with a dark patinated surface and areas of orange corrosion on a worktable Read field guide